Question:
BTW, I’ve spent a lot of time at anus.com and, apart from your vituperative (and curious) anti-Macintosh stance, I quite enjoy spending and hour or so there once or twice a week. But then, I don’t have to agree with everything Spengler says to enjoy and ponder his writings either.
kdfjdkjdk
Response:
Hmm, the question "how much success" means more how well does it express whatever you wanted it to say. It doesn’t refer to the $$$ machine. Anus.com… well, thanks for reading. If people even think about the issues it raises, all is well – assuming their thinking portion is working…
Response:
Hmm, the question "how much success" means more how well does it express whatever you wanted it to say. It doesn’t refer to the $$$ machine.
Using those criteria I suppose I’m quite successful as my music always expresses what I want to say. Anus.com… well, thanks for reading. If people even think about the issues it raises, all is well
Well, how could one NOT think about these writings. They’re thought PROVOKING. Provocation has always been a valid tool for writers astute enough to use it. It seems to be at the forefront of your arsenal.
Response:
BTW, I’ve spent a lot of time at anus.com and, apart from your vituperative (and curious) anti-Macintosh stance, I quite enjoy spending and hour or so there once or twice a week. But then, I don’t have to agree with everything Spengler says to enjoy and ponder his writings either.
Response:
Riffs alone don’t make the art. How much success have you had with your music?
Response:
Riffs alone don’t make the art. How much success have you had with your music?
I was being facetious. And it depends on how you quantify "success." I first got into playing music (back in 1976) to obtain status, drugs and sex. At the time, I was quite successful by these criteria. Then I got into Extreme Metal and traded the status, drugs and sex for the acquisition of skill. I would consider that endeavor moderately successful, although it’s still an on-going process. My most recent arena of study has been TAAKE’s "Bjoergvin" release. After hundreds of listenings, I’m still discovering new ways of making the guitar speak.
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a couple jars of horseradish with that
Response:
http://www.darklyrics.com/lyrics/thorshammer/maythehammersmashthecros… May the Hammer Smash The Cross May the hammer smash the cross, turn to pieces Jesus’ corpse… May the wrath of the folk drive the foreign prophets out. What is alien, what is wrong shall be banished or destroyed… From the mighty Heathen past
warriors’ spirits shall arise May their power and their pride bring the courage to our hearts. May the hatred deep inside now explode to this world…
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The past is alive…
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The past is alive…
And I thought it was the riffs. But I’m just a musician, so what do I know?
Response:
Rip the sacred flesh Sodomize the holy asshole Drink the red blood of the mother of earth Masturbation on the dead body of christ The king of Jews is dead and so are the lies Vomit on the host of Heaven Masturbate on the throne of God Break the seals of angels Drink the sweet blood of Christ Taste the flesh of the priest Sodomize holy nuns The king of Jews is a liar The Heavens will burn Dethrone the son of God God is dead Holyness is gone Purity is gone Prayers are burned Covered in black shit Rape the holy ghost Unclean birth of Jesus Christ Heaven will fall Fuck the church Fuck Christ Fuck the Virgin Fuck the gods of Heaven Fuck the name of Jesus
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